It was inevitable - whether Sarmaks, swallows or Indo-Europeans, folks have to migrate eventually. Thus, the good old Land of Nod blog is making a move to Word Press. The transfer is not 100% complete just yet, but new posts are happening over there rather than over here.
CLICK HERE FOR THE ALL-NEW*, ALL-DIFFERENT* LAND OF NOD!
* Actually, it's neither new nor different
ROLE PLAYING GAME CONTENT FOR YOUR EDIFICATION AND ENJOYMENT
Monday, August 21, 2017
Wednesday, August 2, 2017
The Antiquarian - Thumbnail Class Sketch
This fellow will probably find his way into Esoterica Exhumed in a more fleshed-out form.
The Antiquarian ...
- Rolls d4 for hit points
- Fights and saves like a magic-user
- Can read obscure languages
- Collects dusty tomes, books, scrolls - carries them on his back, so he's hunched over - provides protection from back stabs
- Can call up the ghosts of the past to help him (knowledge, fighting, etc. - "Julius Caesar, I choose you") - I figure this will work a little like an illusionist's shadow conjuration spells
- Legend lore, as a bard (or more so)
- Use magic scrolls to cast spells; can always identify potions and scrolls
- Can recall ways to fight monsters ("Egad, I nearly forgot that ogres are allergic to dust mites") - while fighting a monster, but only if the group doesn't have what they need - they can use the method in future fights, though, and get a +1 to hit the monster
- Has bad eyesight from all the reading - easier to surprise
- Resistance to magic - 3% per level to divination, enchantment and illusion; 1% per level to necromancy, transmutation, etc.
Sunday, July 30, 2017
Downtime and Special Guest Heroes [Notion]
Yesterday, I had an idea about how one could model a magic-user taking time off from adventuring to research spells or make magic items. It occurred to me that the mechanic could also be used to balance adventurers belonging to organizations. Here's the idea in a nutshell:
Magic-users should be able to get a palpable advantage from researching spells and making magic items. In the "real world", we have to make trade offs in terms of time - you can study to become a doctor, or to become a lawyer, for example, but probably not at the same time. If you choose one pursuit, you miss out on another.
In games, this can be tricky. You can declare that the spell research will take a month of time, which is a month the magic-user cannot spend adventuring ... but so what. The group merely schedules their next adventure for one month from now (in game time) and they go on their merry way.
Of course, this can be an obstacle in the course of some games, when the group has a limited amount of time to crack a code or stop an invasion. More often, it's no obstacle at all - perhaps some money that must be spent for room and board, and nothing else.
Here's an idea for how you can model this without entirely disrupting the game.
Downtime for Research and Development
Say our resident magic-user, Merlyn, wants to research the invisibility spell. The GM can decide that this will take Merlyn away from adventuring for, say, two game sessions. That means two meetings of the players to play the game. No XP or treasure for Merlyn while he's busy hunched over dusty tomes learning how to become invisible.
In the meantime, the party hosts a special guest hero, an NPC magic-user one level lower than Merlyn controlled by Merlyn's player. This guest wizard does not earn XP, but does get a normal share of the treasure. Each time Merlyn needs to take a break, the guest wizard can step in, always one level lower than Merlyn.
We have now to come up with a schedule for downtime required for various magical operations. Maybe something like:
Researching 1st to 4th level spells - 1 session
Researching 5th to 7th level spells - 2 sessions
Researching 8th to 9th level spells - 3 sessions
Scribing up to three scrolls or brewing up to 5 potions - 1 session
Making most magical items, including armor - 2 sessions
Making magic weapons - 3 sessions
You can use whatever schedule you think is correct.
Other classes that need to train might use a similar schedule. You could allow a fighter or monk, for example, to sit out for a couple sessions so they can learn some new special maneuver.
Downtime for Organizations
This brings up another time commitment - organizations. Clerics are supposed, in some campaigns, to belong to large temple organizations from which they should draw some advantages. The temple should provide some healing, maybe needed equipment or information, etc. To keep this from being an extra ability of clerics that other characters do not enjoy, it can be balanced by the cleric having to take time off from adventuring to serve the temple in other matters. Depending on how useful the organization is, a PC might have to take one of every ten sessions off or one of every six sessions off or whatever off to meet their obligations. The PC gets a benefit, and pays for it by missing a session now and again.
Downtime for Rest and Recuperation
The same mechanic can also be used to model recuperation time, say from a nasty disease or if you are using old AD&D healing rules from damage sustained in combat. The PC misses a session to heal up while a guest steps in to substitute for them.
Fringe Benefit
The fringe benefit from using this mechanic is that you develop ready NPC characters who can step in to become PCs when an existing PC dies. If Pauline the Wizardess has subbed for Merlyn several times, she can become the party's new magic-user when Merlyn is eaten by a dragon.
Magic-users should be able to get a palpable advantage from researching spells and making magic items. In the "real world", we have to make trade offs in terms of time - you can study to become a doctor, or to become a lawyer, for example, but probably not at the same time. If you choose one pursuit, you miss out on another.
 |
| "You'll have to slay the dragon without me, I'm busy." |
Of course, this can be an obstacle in the course of some games, when the group has a limited amount of time to crack a code or stop an invasion. More often, it's no obstacle at all - perhaps some money that must be spent for room and board, and nothing else.
Here's an idea for how you can model this without entirely disrupting the game.
Downtime for Research and Development
Say our resident magic-user, Merlyn, wants to research the invisibility spell. The GM can decide that this will take Merlyn away from adventuring for, say, two game sessions. That means two meetings of the players to play the game. No XP or treasure for Merlyn while he's busy hunched over dusty tomes learning how to become invisible.
In the meantime, the party hosts a special guest hero, an NPC magic-user one level lower than Merlyn controlled by Merlyn's player. This guest wizard does not earn XP, but does get a normal share of the treasure. Each time Merlyn needs to take a break, the guest wizard can step in, always one level lower than Merlyn.
We have now to come up with a schedule for downtime required for various magical operations. Maybe something like:
Researching 1st to 4th level spells - 1 session
Researching 5th to 7th level spells - 2 sessions
Researching 8th to 9th level spells - 3 sessions
Scribing up to three scrolls or brewing up to 5 potions - 1 session
Making most magical items, including armor - 2 sessions
Making magic weapons - 3 sessions
You can use whatever schedule you think is correct.
Other classes that need to train might use a similar schedule. You could allow a fighter or monk, for example, to sit out for a couple sessions so they can learn some new special maneuver.
Downtime for Organizations
This brings up another time commitment - organizations. Clerics are supposed, in some campaigns, to belong to large temple organizations from which they should draw some advantages. The temple should provide some healing, maybe needed equipment or information, etc. To keep this from being an extra ability of clerics that other characters do not enjoy, it can be balanced by the cleric having to take time off from adventuring to serve the temple in other matters. Depending on how useful the organization is, a PC might have to take one of every ten sessions off or one of every six sessions off or whatever off to meet their obligations. The PC gets a benefit, and pays for it by missing a session now and again.
Downtime for Rest and Recuperation
The same mechanic can also be used to model recuperation time, say from a nasty disease or if you are using old AD&D healing rules from damage sustained in combat. The PC misses a session to heal up while a guest steps in to substitute for them.
Fringe Benefit
The fringe benefit from using this mechanic is that you develop ready NPC characters who can step in to become PCs when an existing PC dies. If Pauline the Wizardess has subbed for Merlyn several times, she can become the party's new magic-user when Merlyn is eaten by a dragon.
Saturday, July 22, 2017
Eurafrika Attacks! [Campaign Idea]
Around about 1929, a German architect by the name of Herman Sörgel came with an idea he called Atlantropa. The idea was simple (no, not really) - he was going to create a new utopian continent out of Europe and Africa by building hydroelectric dams in the Strait of Gibraltar and Dardanelles and the mouth of the River Congo. This would allow the lowering of the level of the Mediterranean Sea, to create more habitable (and farmable) land, the irrigation of the Sahara Desert, and the generation of all the electricity the new continent of Atlantropa or Eurafrika could ever need. The idea was based on his desire for a massive, peaceful project that could bring the warring European nations together and which would improve the lives of millions.
Strangely enough, the idea was not pursued seriously other than by Sörgel and a handful of others. Perhaps the idea can be used to fuel a modern "fantasy" campaign, though.
Eurafrika Attacks
The Eurafrika Attacks campaign is going to take Herman's idea and mess with it a bit. First, we're going to move the idea back to the dark days of the First World War, and give Europe a running start at the project. For our purposes, by 1927 or so the project is complete and Europe is seriously deep in debt. Weimer Republic-style deep in debt. This facilitates the rise of a pseudo-fascist dictator called Hynkel, who now has the power of Europe and Africa at his disposal and uses it to start the Second World War in 1930.
Eurafrikan forces quickly move into the Middle East and Ukraine, and soon they convince a China desirous of revenge against colonial powers to join them. Thus, we get a WW2 with an axis composed of Eurafrika and China against the allied powers of the United Kingdom (who never quite joined the Eurafrikan cause, though a faction of the country is heavily invested in the project and desires Hynkel's success), the Soviet Union and Japan, with the United States practicing semi-neutrality until submarine attacks on its shipping draw it into the war in 1934.
The Hook
So what's the point of this campaign, other than novelty. Well, novelty is probably the main point - a sort of mixed up WW2 that occurs years before it is supposed to and without some of the more disturbing elements of that war.
The real hook, of course, is the use of a bunch of interesting military equipment from the "interwar" period in a hot war. Between the Spad and Spitfires in the 1920s and early 1930s there were all sorts of interesting aircraft, ships and land vehicles designed and constructed, but never really used. Now some of these vehicles have a chance to show what they were made of, and at the same time a few anachronisms might make their way into this WW2, especially cavalry.
A campaign could be organized around a particular military unit and its march into Eurafrikan territory, modeled on the film The Big Red One (1980) starring Lee Marvin and Mark Hamill, which followed a group of soldiers in the U.S. 1st Infantry Division from North Africa to Sicily to Normandy and eventually to the liberation of a concentration camp. A fictional campaign might move through Baghdad to the Balkans and Carpathians and finally into the heart of Europe.
There is also room for espionage in London, Paris, New York and Cairo, jungle fighting in the Congo basin, the Soviet couteroffensive against re-invigorated China in Mongolia, resistance movements in Europe, anti-colonial movements in Africa, or the defense of Japan against a new wave of seaborne invasions from China (will the "divine wind" protect the island nation again?). You can also play on the new geography of the Mediterranean and Sahara, tying in with notions of Atlantis buried beneath the sands of the Sahara being rediscovered, or pre-human settlements that were hidden under the Mediterranean being revealed.
The campaign offers many opportunities for realistic and supernatural gameplay in a period often forgotten due to its being sandwiched betwen the Roaring 20's and the Second World War.
Strangely enough, the idea was not pursued seriously other than by Sörgel and a handful of others. Perhaps the idea can be used to fuel a modern "fantasy" campaign, though.
Eurafrika Attacks
Eurafrikan forces quickly move into the Middle East and Ukraine, and soon they convince a China desirous of revenge against colonial powers to join them. Thus, we get a WW2 with an axis composed of Eurafrika and China against the allied powers of the United Kingdom (who never quite joined the Eurafrikan cause, though a faction of the country is heavily invested in the project and desires Hynkel's success), the Soviet Union and Japan, with the United States practicing semi-neutrality until submarine attacks on its shipping draw it into the war in 1934.
The Hook
So what's the point of this campaign, other than novelty. Well, novelty is probably the main point - a sort of mixed up WW2 that occurs years before it is supposed to and without some of the more disturbing elements of that war.
The real hook, of course, is the use of a bunch of interesting military equipment from the "interwar" period in a hot war. Between the Spad and Spitfires in the 1920s and early 1930s there were all sorts of interesting aircraft, ships and land vehicles designed and constructed, but never really used. Now some of these vehicles have a chance to show what they were made of, and at the same time a few anachronisms might make their way into this WW2, especially cavalry.
A campaign could be organized around a particular military unit and its march into Eurafrikan territory, modeled on the film The Big Red One (1980) starring Lee Marvin and Mark Hamill, which followed a group of soldiers in the U.S. 1st Infantry Division from North Africa to Sicily to Normandy and eventually to the liberation of a concentration camp. A fictional campaign might move through Baghdad to the Balkans and Carpathians and finally into the heart of Europe.
There is also room for espionage in London, Paris, New York and Cairo, jungle fighting in the Congo basin, the Soviet couteroffensive against re-invigorated China in Mongolia, resistance movements in Europe, anti-colonial movements in Africa, or the defense of Japan against a new wave of seaborne invasions from China (will the "divine wind" protect the island nation again?). You can also play on the new geography of the Mediterranean and Sahara, tying in with notions of Atlantis buried beneath the sands of the Sahara being rediscovered, or pre-human settlements that were hidden under the Mediterranean being revealed.
The campaign offers many opportunities for realistic and supernatural gameplay in a period often forgotten due to its being sandwiched betwen the Roaring 20's and the Second World War.
 |
| A trio of Siskins patrol southern England for French bombers |
Sunday, June 25, 2017
Yo Joe
If memory serves, I promised to do this post two weeks ago. How time flies! In between, the family has gone through a high school graduation and a college orientation, and I've written about 8 quarterly reports for my real job. But now it is time - some G.I. Joe vehicles for GRIT & VIGOR.
I've spent the last four weeks writing High Frontier, a setting toolbox for GRIT & VIGOR based on the "retro-future", or the future that people in 1950 dreamed they and their children would enjoy from the 1960s to the futuristic year ... 2000! We're talking moon bases, space stations, space colonies, lots of cool airplanes and concept cars, etc.
Along the way, I ran across a Wikipedia article on a G.I. Joe fighter plane, and realized I could probably stat those up as well. Where possible, I used the specifications published for these vehicles, and I filled in the gaps with info on the real vehicles on which they were based.
Notes:
Jet aircraft are given a generation [G]. This is added to the aircraft's maneuverability (and thus AC) and attack rolls during combat.
Damage followed by a single asterisk (*) is multiplied by 10. Two asterisks (**) means multiply by 100.
Conquest X-30 | G.I. Joe 1986
Type: Huge Fighter G4
Hit Dice: 30 (105 hp)
Armor Class: 21
Attacks: 2 x 25mm cannons (7d6), 4 x AIM-12 Light Sparrow AAM (1d10**), 7,000 lb of bombs
Speed: 1600 mph
Maneuver: +8
Climb: 8500 fpr
Ceiling: 55,000 feet
Crew/Passengers: 1/0
These G.I. Joe fighter planes are based on the real Grumman X-29 (which appears in High Frontier). It is notable for its forward swept wings.
Phantom X-19 | G.I. Joe 1988
Type: Gargantuan Attack G5
Hit Dice: 45 (158 hp)
Armor Class: 18
Attacks: 2 x anti-satellite lasers (10d6), 2 x BY-106 Little Guy (1d10**), 1 x Bullseye III cruise missile (xxx), 2 x 2000 lb bombs
Speed: 2400 mph
Maneuver: +6
Climb: 6000 fpr
Ceiling: 72,000 feet
Crew/Passengers: 1/0
The Phantom is inspired (loosely) on a model that purported to be the "stealth bomber" (the F-117 Nighthawk) that turned out to look nothing like it.
Night Raven S3P | Cobra Command 1985
Type: Gargantuan Fighter G4
Hit Dice: 47 (165 hp)
Armor Class: 19
Attacks: 2 x 20mm cannons (6d6), 4 x SRAAM AAM (1d10**)
Speed: 2200 mph
Maneuver: +8
Climb: 6800 fpr
Ceiling: 86,000 feet
Crew/Passengers: 2/0
The Cobra Night Raven was based loosely on the SR-71 Blackbird (which means Cobra was as good at hacking the Pentagon as the Chinese, Russians, etc.)
Rattler | Cobra Command 1984
Type: Huge Attack G3
Hit Dice: 30 (105 hp)
Armor Class: 18
Attacks: 2 x 20mm cannon (6d6), 1 x 30mm cannons (8d6), 2 x AAM (1d8**), 2 x Renegade ASM (6d6*)
Speed: 450 mph
Maneuver: +5
Climb: 1000 fpr
Ceiling: 45,000 feet
Crew/Passengers: 2/0
The go-to combat aircraft of Cobra in the cartoons.
Skystriker XP-14F | G.I. Joe 1983
Type: Gargantuan Fighter G4
Hit Dice: 42 (147 hp)
Armor Class: 23
Attacks: 1 x 20mm cannons (6d6), 2 x AIM-9 Sidewinder AAM (1d8**), 2 x AIM-54 Phoenix (6d6**), 2 x AIM-7 Sparrow (1d12**)
Speed: 1500 mph
Maneuver: +8
Climb: 7500 fpr
Ceiling: 51,000 feet
Crew/Passengers: 2/0
The Skystriker was G.I. Joe's principal combat aircraft (and clearly superior to the Rattlers).
I've spent the last four weeks writing High Frontier, a setting toolbox for GRIT & VIGOR based on the "retro-future", or the future that people in 1950 dreamed they and their children would enjoy from the 1960s to the futuristic year ... 2000! We're talking moon bases, space stations, space colonies, lots of cool airplanes and concept cars, etc.
Along the way, I ran across a Wikipedia article on a G.I. Joe fighter plane, and realized I could probably stat those up as well. Where possible, I used the specifications published for these vehicles, and I filled in the gaps with info on the real vehicles on which they were based.
Notes:
Jet aircraft are given a generation [G]. This is added to the aircraft's maneuverability (and thus AC) and attack rolls during combat.
Damage followed by a single asterisk (*) is multiplied by 10. Two asterisks (**) means multiply by 100.
Conquest X-30 | G.I. Joe 1986
Type: Huge Fighter G4
Hit Dice: 30 (105 hp)
Armor Class: 21
Attacks: 2 x 25mm cannons (7d6), 4 x AIM-12 Light Sparrow AAM (1d10**), 7,000 lb of bombs
Speed: 1600 mph
Maneuver: +8
Climb: 8500 fpr
Ceiling: 55,000 feet
Crew/Passengers: 1/0
These G.I. Joe fighter planes are based on the real Grumman X-29 (which appears in High Frontier). It is notable for its forward swept wings.
Phantom X-19 | G.I. Joe 1988
Type: Gargantuan Attack G5
Hit Dice: 45 (158 hp)
Armor Class: 18
Attacks: 2 x anti-satellite lasers (10d6), 2 x BY-106 Little Guy (1d10**), 1 x Bullseye III cruise missile (xxx), 2 x 2000 lb bombs
Speed: 2400 mph
Maneuver: +6
Climb: 6000 fpr
Ceiling: 72,000 feet
Crew/Passengers: 1/0
The Phantom is inspired (loosely) on a model that purported to be the "stealth bomber" (the F-117 Nighthawk) that turned out to look nothing like it.
Night Raven S3P | Cobra Command 1985
Type: Gargantuan Fighter G4
Hit Dice: 47 (165 hp)
Armor Class: 19
Attacks: 2 x 20mm cannons (6d6), 4 x SRAAM AAM (1d10**)
Speed: 2200 mph
Maneuver: +8
Climb: 6800 fpr
Ceiling: 86,000 feet
Crew/Passengers: 2/0
The Cobra Night Raven was based loosely on the SR-71 Blackbird (which means Cobra was as good at hacking the Pentagon as the Chinese, Russians, etc.)
Rattler | Cobra Command 1984
Type: Huge Attack G3
Hit Dice: 30 (105 hp)
Armor Class: 18
Attacks: 2 x 20mm cannon (6d6), 1 x 30mm cannons (8d6), 2 x AAM (1d8**), 2 x Renegade ASM (6d6*)
Speed: 450 mph
Maneuver: +5
Climb: 1000 fpr
Ceiling: 45,000 feet
Crew/Passengers: 2/0
The go-to combat aircraft of Cobra in the cartoons.
Skystriker XP-14F | G.I. Joe 1983
Type: Gargantuan Fighter G4
Hit Dice: 42 (147 hp)
Armor Class: 23
Attacks: 1 x 20mm cannons (6d6), 2 x AIM-9 Sidewinder AAM (1d8**), 2 x AIM-54 Phoenix (6d6**), 2 x AIM-7 Sparrow (1d12**)
Speed: 1500 mph
Maneuver: +8
Climb: 7500 fpr
Ceiling: 51,000 feet
Crew/Passengers: 2/0
The Skystriker was G.I. Joe's principal combat aircraft (and clearly superior to the Rattlers).
Saturday, June 10, 2017
Shameless Self Promotion
I don't normally do this, but I have three new books out and about at the moment, so a little self promotion seems appropriate. Tomorrow I'll find some time to do that G.I. Joe post I mentioned last week.
NOD 32
NOD 32 features a new hex crawl that is right next door to the Nomo crawl from last issue. Nomo was a falling empire, but in Kisthenes the whole world might be going straight to Hell ... or Chaos. The nomads have conquered the great city of Ishkabibel and are now using its wealth and power not only to conquer the rest of Kisthenes, but to bring Tiamat (yeah, that Tiamat) into the material world from the Chaos beyond reality. Worse yet, the other cities of the plain are joining in, abandoning the old gods and gestating their own super-beasts to go toe to toe with the Queen of Chaos.
Other features include:
A new class that is fitting for this issue, the Prophet is a different kind of divine spellcaster, one who is bringing the news of a new deity into the world and trying to found a kingdom in that deity's name.
The gods and goddesses of Mesopotamia
Rules for running circus campaigns in GRIT & VIGOR
And some notions on how (and why) to make monsters interesting for players as well as their characters
$3.99 PDF at Lulu.com
$3.99 PDF at rpgnow.com
Pen & Paper Football
Pen & Paper Football is football without the commercials, endless merchandizing and prison sentences. A few dice and some paper is all you need to simulate an American football game. Just find some friends (or play solo), roll up some teams and pit them against each other in League Play, which requires eight simple dice rolls to play a game, or in Head-to-Head play, which simulates a game play-by-play.
P&PF has all the rules you need to play a whole season of football, with rules for passing, running, kicking, penalties, injuries and even off-season rules for team development. There are dozens of sample teams you can use and handy record sheets for teams, leagues and games.
$1.99 PDF at Lulu.com
$1.99 PDF at rpgnow.com
NOD 31
I finally have the paperback version of this issue of NOD up for sale at Lulu.com. Here's the description:
NOD magazine begins its fabulous eighth year with a full hex crawl covering the crumbling empire of Nomo, a Romanesque city that has lost its emperor. As the empire slowly falls, opportunity for adventures abound. The hex crawl includes three mini-dungeons and hundreds of places to visit.
Other features include:
Two old school classes, the Centurion and Dervish, as well as ideas for anti-classes designed to foil fighters, magic-users and thieves.
Rules for playing poker in GRIT & VIGOR, as well as a gambler sub-class
A host of new "eye monsters" for Blood & Treasure and other OSR games
Plus some ideas on votive orders and on introducing the most horrific concept into fantasy gaming ever conceived ... Taxes!
$7.99 Paperback at Lulu.com
NOD 32
Other features include:
A new class that is fitting for this issue, the Prophet is a different kind of divine spellcaster, one who is bringing the news of a new deity into the world and trying to found a kingdom in that deity's name.
The gods and goddesses of Mesopotamia
Rules for running circus campaigns in GRIT & VIGOR
And some notions on how (and why) to make monsters interesting for players as well as their characters
$3.99 PDF at Lulu.com
$3.99 PDF at rpgnow.com
Pen & Paper Football
P&PF has all the rules you need to play a whole season of football, with rules for passing, running, kicking, penalties, injuries and even off-season rules for team development. There are dozens of sample teams you can use and handy record sheets for teams, leagues and games.
$1.99 PDF at Lulu.com
$1.99 PDF at rpgnow.com
NOD 31
NOD magazine begins its fabulous eighth year with a full hex crawl covering the crumbling empire of Nomo, a Romanesque city that has lost its emperor. As the empire slowly falls, opportunity for adventures abound. The hex crawl includes three mini-dungeons and hundreds of places to visit.
Other features include:
Two old school classes, the Centurion and Dervish, as well as ideas for anti-classes designed to foil fighters, magic-users and thieves.
Rules for playing poker in GRIT & VIGOR, as well as a gambler sub-class
A host of new "eye monsters" for Blood & Treasure and other OSR games
Plus some ideas on votive orders and on introducing the most horrific concept into fantasy gaming ever conceived ... Taxes!
$7.99 Paperback at Lulu.com
Sunday, June 4, 2017
Teleporting With Style
Teleport and teleport without error are old spells, and in the old school they leave the look and feel up to the imagination. Here are a few ideas on what teleportation might look like ...
1. You appear line by line, like being printed by a dot matrix printer in the 1980s
2. Appear as free-floating fetus and age into current form
3. Appear as skeleton and grow muscle, tendons etc until fully formed
4. Coughed out of the 4th dimension like a hairball
5. Appear in blink of eye, but all people in area have to pause briefly and then move slightly when you appear, as though on an old TV show
6. Trapdoor opens in sky and you fall out
7. Beam in like Star Trek - lots of noise and sparkles
8. Appear in puff of smoke with a musical fanfare
Level 9-12 – a fanfare of kazoos
Level 13-16 – a fanfare from a Casio keyboard
Level 17+ – a fanfare of trumpets
9. Hole appears and you crawl through it
10. Door of light (or shadow) slides open (like automatic door) and you step through
11. Miniature volcano grows from ground and you erupt out of it
12. Swirling cloud forms in your shape and then gradually becomes solidified until it’s you
13. Lightning strikes ground and leaves you when the dust clears
14. Your form is poured like silvery, bubbly liquid that falls from the sky – you emit a small burp when you finish forming due to the ethereal carbonation in your system
15. Space shatters like a mirror, revealing you
16. Velvet curtains held aloft by cherubs parts to reveal you in all your glory
17. A giant hand descends from the sky with a paint brush and paints you into existence
18. You appear as a wavering hologram that slowly becomes real to the peal of invisible gongs
19. Your hand appears holding a wand, and slowly rises from the ground revealing you (and of course ending on your arm extended above your head
20. Purple smoke seeps up from the ground and you appear, genie-like (or Jeanie-like, if I’m being honest)
1. You appear line by line, like being printed by a dot matrix printer in the 1980s
2. Appear as free-floating fetus and age into current form
3. Appear as skeleton and grow muscle, tendons etc until fully formed
4. Coughed out of the 4th dimension like a hairball
5. Appear in blink of eye, but all people in area have to pause briefly and then move slightly when you appear, as though on an old TV show
6. Trapdoor opens in sky and you fall out
7. Beam in like Star Trek - lots of noise and sparkles
8. Appear in puff of smoke with a musical fanfare
Level 9-12 – a fanfare of kazoos
Level 13-16 – a fanfare from a Casio keyboard
Level 17+ – a fanfare of trumpets
9. Hole appears and you crawl through it
10. Door of light (or shadow) slides open (like automatic door) and you step through
11. Miniature volcano grows from ground and you erupt out of it
12. Swirling cloud forms in your shape and then gradually becomes solidified until it’s you
13. Lightning strikes ground and leaves you when the dust clears
14. Your form is poured like silvery, bubbly liquid that falls from the sky – you emit a small burp when you finish forming due to the ethereal carbonation in your system
15. Space shatters like a mirror, revealing you
16. Velvet curtains held aloft by cherubs parts to reveal you in all your glory
17. A giant hand descends from the sky with a paint brush and paints you into existence
18. You appear as a wavering hologram that slowly becomes real to the peal of invisible gongs
19. Your hand appears holding a wand, and slowly rises from the ground revealing you (and of course ending on your arm extended above your head
20. Purple smoke seeps up from the ground and you appear, genie-like (or Jeanie-like, if I’m being honest)
Friday, May 26, 2017
Magic from the Masters
Fast forward to adulthood. What did not interest me as a G.I. Joe-loving kid now does interest me as a weird retro-loving adult. I can now appreciate just how bizarrely creative Mattel's toy makers were with the MOTU line, and I can even appreciate the cartoon, though more by way of laughing at it (gently and with love) than of thrilling to the adventures of He-Man (who I just now discovered shared his voice with Morris the cat - even weirder).
Over the last couple weeks, I've been watching a He-Man cartoon at night before bed to unwind, and in addition to the entertainment value I've been inspired to write a few spells that will find their way into Esoterica Exhumed. Here's a sample:
Battle Beast (Evocation)
Level: Druid 5, Magic-User 6
Range: 30′
Duration: 10 rounds
One animal targeted by this spell becomes a battle beast, doubling its size and Hit Dice, and increasing its damage rolls by +2 points for the duration of the spell. While under the effects of the spell, the animal is treated as a monster rather than animal, and its coloration changes to something weird and unearthly. The animal gains limited sentience and low intelligence in battle beast form.
Blinding Light I (Evocation/Illusion)
Level: Cleric 1, Druid 1, Magic-User 1
Range: 5′
Duration: 1d6+1 rounds
One creature immediate in front of you is dazzled by a sudden intense light that flashes from your eyes. The victim is blinded for 1 rounds, and then dazzled for 1d6 rounds. A dazzled creature suffers a -1 penalty to attack rolls and to all task checks involving sight.
Blinding Light II (Evocation/Illusion)
Level: Cleric 2, Druid 2, Magic-User 2
Range: 20′ cone
Duration: 1d6 rounds
This spell causes those caught in the area of effect who fail a saving throw to be dazzled, suffering a -1 penalty to attack rolls and all task checks involving sight.
Chasm (Conjuration)
Level: Druid 4, Magic-User 5
Range: 60 feet
Duration: 10 minutes
You can cause the ground to suddenly disappear, shifting it briefly into the elemental plane of earth. The resulting chasm has the following dimensions: Width is equal to 5 feet plus 2 feet per level; length is equal to 1 foot per level and depth is equal to 2 feet per level. After 10 minutes, the earth shifts back into position from the elemental plane, burying anything that was in the chasm or displacing gases and liquids (such as water or an obscuring mist spell) that might have been in the chasm to the surface.
Cosmic Comets (Conjuration)
Level: Magic-User 3
Range: Personal
Duration: 1 hour
You conjure three miniature comets which orbit you at a radius of up to 10′. While orbiting, they provide a +1 bonus to Armor Class. Melee attackers that miss their attack roll against you by only 1 point are struck by a comet for 1d6 damage + 1d6 fire damage. You can also send these comets streaking out at a single target, who can avoid it with a saving throw. Targets that are hit suffer 2d6 damage + 1d6 fire damage.
Homing Spell (Divination)
Level: Magic-User 1
Range: Touch
Duration: Permanent
Once a magic-user has placed this spell on a nonliving item, she can, with mild concentration and while rubbing the temples, discern its location relative to her in terms of direction and approximate distance. This homing beacon is permanent, but can be removed with dispel magic or suppressed while in possession of a creature with magic resistance (dice to determine).
Raise Pillar (Evocation)
Level: Druid 3, Magic-User 4
Range: 30 feet
Duration: 1 hour
With the lifting of your arms, a pillar of solid rock rises from the ground. The ground in question must be solid – i.e. there must be rock to form into a pillar. The pillar rises 5 feet plus 1 foot per level, and is roughly 4 feet in diameter. The pillar can be raised under a creature’s feet, in which case they must pass a saving throw to avoid being lifted. If they fail this saving throw, they are carried upwards and could potentially be crushed if the pillar’s height plus their own would force them to violently contact the ceiling of a chamber or cavern. If they are crushed, they suffer 3d6 points of damage. After one hour, the pillar slides back into the ground. This spell can conceivably be used to raise buried treasure to the surface, but the soil in which the treasure was buried forms into solid rock and therefore may make the treasure difficult to access.
Sleeve of Holding (Conjuration)
Level: Magic-User 3
Range: Personal
Duration: 8 hours
The magic-user can stuff 100 pounds per level worth of non-magical, non-living goods up his left sleeve. After 8 hours, the magic-user must dump the goods out of his sleeve or they disappear into dimensions unknown.
Wednesday, May 10, 2017
Mars, Venus and Beyond
If you have read Blood & Treasure Second Edition, you might already know that I had a sample planar system that resembles the old geocentric model of the universe combined with Gygax's idea of the outer and inner planes. At some point, I'm going to expand on these ideas and write a book called The Outre' Dark - sort of my version of the Manual of the Planes.
To that end, I've already written an article in NOD on the planet Pluto, which stands in for the negative energy plane in Nod's cosmos. This week, I've been playing with maps of Mars and Venus (or Martis and Veneris) for the Nod setting, and thought I'd show them off here, along with a few notes on the settings.
MARTIS, PLANE OF WAR
In the Nod cosmology, Mars is a planet of Neutrality, over which the forces of Lawful Neutrality and Chaotic Neutrality fight a never-ending war.
VENERIS, PLANE OF LIFE
Veneris is the positive energy plane in Nod's cosmos. I mixed the idea of positive energy = life with the old ideas of Venus as a jungle world. The map is still in the "rough draft" stage. It is partly inspired by this post at Malevolent and Benign.
MERCURIUS, PLANE OF ELEMENTAL EARTH
I'm adding this one after the fact, having just finished the map. I'm picturing a world almost devoid of plant life with a thin atmosphere where all the real action is under the surface, where the powerful elementals dwell. On the surface, where adventurers are likely to spend their time, there are cities of crystal people who dominate their fellows by dominating the mineral springs they must bathe in to survive, and plundering metallic men who serve the greedy shaitan. I'm using the old idea that Mercury always had one side facing the Sun and the other in perpetual darkness - in this case, the cities of Parahelios and Nyx mark those spots.
To that end, I've already written an article in NOD on the planet Pluto, which stands in for the negative energy plane in Nod's cosmos. This week, I've been playing with maps of Mars and Venus (or Martis and Veneris) for the Nod setting, and thought I'd show them off here, along with a few notes on the settings.
MARTIS, PLANE OF WAR
In the Nod cosmology, Mars is a planet of Neutrality, over which the forces of Lawful Neutrality and Chaotic Neutrality fight a never-ending war.
- The humanoid Martians come in a multitude of colors, from purple to amber to burnt sienna (and even some maroons living below the surface). They spawn via spores and do not nurse their young. They may have been engineered by a Zetan civilization that destroyed the plane with atomic weaponry before leaving Martis for Nod, where they were involved in founding the Nabu civilization (destroyed in a similar cataclysm).
- They are joined on Martis by green mutants in the wastelands and bat people in the mountains.
- The purple Martians are the most civilized (LN). They dwell in hive cities connected by canals.
- The amber Martians dwell in the north, and might be considered pragmatic Neutrals.
- The burnt sienna Martians are nomads (and former seafarers).
- Atop Olympus Mons there is a monastery of weird Zen Neutral monks.
- Martians wear little armor (or clothing) and arm themselves with swords, whip-swords, daggers, darts, jezzails and pistols.
- The Martians also use flying ships (skyremes) levitated by weird rays.
- There is a plant in the Martian deserts that oozes plastic nodules, which the Martians melt down and use to make a variety of objects.
- The moons of Martis (those little specs underneath the planet) are home to ghouls, who launch themselves into space when astral ships approach too close.
VENERIS, PLANE OF LIFE
Veneris is the positive energy plane in Nod's cosmos. I mixed the idea of positive energy = life with the old ideas of Venus as a jungle world. The map is still in the "rough draft" stage. It is partly inspired by this post at Malevolent and Benign.
- Humanoid Venusians come in two varieties - the cyan-skinned cave dwellers and the jade-skinned tree dwellers. They are beset by many evils on the planet, for it is populated by numerous beastmen.
- Venus has very little technology, and all of it in the hands of the gold amazons, who dwell in flying cities. Their sons, the myrmidons, are seafarers and defenders of humanity.
- Most of the peoples of Veneris have neo-stone age technology, maybe some in the chalcolithic age - giant stone cities, simple weapons, etc. Very Flintstones.
- There are dinosaurs (though not of the earthly varieties) and other prehistoric animals.
- Beneath the surface of Veneris is a core of positive energy, which erupts from time to time from volcanoes.
- The plant life of Veneris is a riot of color. It grows very quickly - a trail cut with machetes would disappear in mere minutes.
- There are massive oozes on the planet that rise from the seas and cause ecological havoc.
- The mountains are made of solid gemstone.
MERCURIUS, PLANE OF ELEMENTAL EARTH
I'm adding this one after the fact, having just finished the map. I'm picturing a world almost devoid of plant life with a thin atmosphere where all the real action is under the surface, where the powerful elementals dwell. On the surface, where adventurers are likely to spend their time, there are cities of crystal people who dominate their fellows by dominating the mineral springs they must bathe in to survive, and plundering metallic men who serve the greedy shaitan. I'm using the old idea that Mercury always had one side facing the Sun and the other in perpetual darkness - in this case, the cities of Parahelios and Nyx mark those spots.
Sunday, May 7, 2017
Scads of Magic
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| Imagination! |
So, here's a scad of magic items in thumbnail sketch form, plus a couple with names I loved that even I wasn't sure how to flesh out with actual gamable abilities.
+1 Banded Mail of Heat Resistance: Stay comfortable in hot weather (summons cold air from elemental air plane), -1 damage per dice of fire damage
Amazon’s Pill: As heroism spell, females only
Barrel of Monkeys: Can summon 3d4 monkeys, once per week
Beggar’s Sandals: Feel no hunger or thirst if one eats/drinks once per week
Celestial Cube: When subjected to magic light, produces a prismatic/rainbow spell of the same or lower level
Coat of Sludge Repulsion: Cannot be engulfed by oozes
Coat of Slyness: Better pick pocketing, hides stolen goods
Earrings of Dancer’s Grace: +1 to AC, +1 to saves involving movement, gain ability to dance (fascinate as bard) once per day
Elemental Gauntlet: Gauntlet can on command turn into one of the following – an elemental earth gauntlet that smashes stone and +1 save vs. acid; a white hot gauntlet of metal that deals +1d6 fire damage and +1 save vs. fire; a gauntlet of ice that deals +1d6 cold damage and +1 save vs. cold; a sphere of swirling air that grants +2 AC vs. missile attacks and +1 save vs. electricity
Elixir of Blood Control: One can cause their own wounds or others to stop bleeding with a glance
Ethereal Brew: When poured out, it causes a whirlwind on the ethereal plane
Evil Drum: Bonus to hit for goblinoids
Flute of Ooze Alteration: Forces oozes to save vs. dancing; bards can cause them to move as they wish within sound
Fork of Time: When banged against metal, it forces all time displaced creatures within 100 ft. to shift into the present; against adamantine or mithral, it shifts the adventurers ahead 1 hour (do not move in space)
Hand Axe of Wind Shield: Can be swung around to create a wall of wind, when thrown, accompanied by a gust of wind
Hauberk of Revealing: Light reflected from this mail dispels illusions and reveals hidden and secret things
Haunted Tower Shield: Once per day can become a portal into the negative zone, releasing a single incorporeal spirit (HD no higher than users) to attack a foe
Helm of Ritual Fish Seduction: Hmmm ... next!
Infernal Sitar: Playing causes people’s shoes to heat up (as heat metal)
Jar of Thought Absorption: One can hold a thought in the jar by putting against the ear and thinking; the thought cannot be accessed by mind reading – mage’s can do this with spells; can put thought back into head in same way – others can try, but may take Int damage
Massive Helm: A large, spherical helm – silly looking, but +3 to AC
Mechanism of Amazon Slaying: I have no idea, but what a great weird name
Pendant of Magma: Allows one to walk across magma and lava with no damage or sinking
Rainstick of Calming: Berserkers and barbarians cannot go nuts in its presence
Ring of Knocking: As knock spell, 3/day
Ruby Draft of Abjuration: Drink liquid to gain abjuration spell – water (1st), wine (2nd), other potion (3rd, and gain abilities of that potion); usable 1/day, spell remains in memory for 1 hour
Salve of Gold: Like fool’s gold spell, enough for ten tiny items
Sapphire Net: Becomes a large web of blue energy that can entrap air elementals and gaseous creatures
Sphere of Ursus: Metal sphere with a copper, silver and gold bear; copper bear summons a black bear, silver brown and gold polar; 1 bear per week, from a ray that fires from the sphere up to 30 feet away; destroying the orb summons a cave bear
Staff of Slime Absorption: Can absorb up to 6 HD of oozes or slimes (1 HD = 5 square feet); when broken or released, they all appear adjacent to staff; can also be ejected as a 30’ cone of acid (damage dice equal to HD absorbed)
Titan’s Wand: Can cast one third level magic-user spell per day, but requires two magic-users to swoosh it
Traveler’s Stick: +5 ft. per round to walking speed, walk twice as long without being fatigued
White Javelin: When it strikes undead, it absorbs their negative energy, up to 6 HD, turning the javelin black – the black javelin then absorbs levels/HD of living creatures until it negates the negative energy, so don’t touch it without a mithral gauntlet
Okay - one more, inspired by watching MST3K's take on Cave Dwellers ...
Helm of the Black Swan: Once per day, a roll of "1" can be turned into a "20", or a roll of "20" can be turned into a "1" within sight of the wearer.
Saturday, May 6, 2017
Simplicity Himself
Which brings me to Simplicius Simplicissimus, Warhammer's great-grandfather (or maybe closer than that). Written in 1668 by Hans Jakob Christoffel von Grimmelshausen, it is a picaresque novel set in Germany during the Thirty Years' War (1618-1648). It is the story of a simple country boy who gets whisked into the big events of the day, and I would say definitely an influence on the grim world of perilous adventure presented in Warhammer ... except I don't actually know that this is true. I suppose if you're making a game/setting inspired by the Thirty Years' War in Germany, you're going to end up with something akin to a book about those same events.
The main thing that makes me think there's a link is the progression of Simplicius from career to career over the course of the book. He begins as a simple farm laborer, and then becomes a religious hermit, a fool, an outlaw and sneak thief, a dragoon, a charlatan, etc.
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| No trollslayers, but still ... |
Literary merits aside, the book presents good fodder for fantasy gaming, Warhammer-style gaming especially. The supernatural shows up a couple times, but isn't prevalent, so it's mostly about normal people trying to make their way in a rough time and place. Here are a few passages from the book that I found particularly interesting:
This is the introduction to the hermit who takes him in. This guy is about as Lawful as the book gets:
So I plucked up heart to come out of my hollow tree and to draw nigh to the voice I had heard, where I was ware of a tall man with long greyish hair which fell in confusion over his shoulders: a tangled beard he had shapen like to a Swiss cheese; his face yellow and thin yet kindly enough, and his long gown made up of more than a thousand pieces of cloth of all sorts sewn together one upon another. Round his neck and body he had wound a heavy iron chain like St. William, and in other ways seemed in mine eyes so grisly and terrible that I began to shake like a wet dog.
A description of the soldier's life. This would apply to most old school fantasy adventurers as well:
For gluttony and drunkenness, hunger and thirst, wenching and dicing and playing, riot and roaring, murdering and being murdered, slaying and being slain, torturing and being tortured, hunting and being hunted, harrying and being harried, robbing and being robbed, frighting and being frighted, causing trouble and suffering trouble, beating and being beaten: in a word, hurting and harming, and in turn being hurt and harmed--this was their whole life.
The goings on of the aristocracy at a party - I thought it might make a good random table for behavior in inns and taverns:
'Twas indeed a wonderful pantomime to see how they did fool, and yet none wondered but I. One sang: one wept: one laughed: another moaned: one cursed: another prayed: one shouted "Courage!" another could not even speak. One was quiet and peaceable: another would drive the devil out by swaggering: one slept and was silent, another talked so fast that none could stand up against him. One told stories of tender love adventures, another of his dreadful deeds in war. Some talked of church and clergy, some of the constitution, of politics, of the affairs of the empire and of the world. Some ran hither and thither and could not keep still: some lay where they were and could not stir a finger, much less stand up or walk. Some were still eating like ploughmen, and as if they had been a week without food, while others were vomiting up what they had eaten that very day.
A list of hangover cures:
There wormwood, sage wine, elecampane, quince and lemon drinks, with hippocras, were to clear the heads and stomachs of the drinkers;
A strange spell from the book:
And no sooner had the rogue mumbled some words than there sprang out of each man's breeches, sleeves, boots and pockets, and all other openings in their clothes, one, two, three, or more young puppies. And these sniffed round and round in the tent, and pretty beasts they were, of all manner of colours, and each with some special ornament, so that 'twas a right merry sight.
If you like gore, the book has some gore. This could also work as a description of a fantasy battlefield:
The earth, whose custom it is to cover the dead was there itself covered with them, and those variously distinguished: for here lay heads that had lost their natural owners, and there bodies that lacked their heads: some had their bowels hanging out in most ghastly and pitiful fashion, and others had their heads cleft and their brains scattered: there one could see how lifeless bodies were deprived of their blood while the living were covered with the blood of others; here lay arms shot off, on which the fingers still moved, as if they would yet be fighting; and elsewhere rascals were in full flight that had shed no drop of blood: there lay severed legs, which though delivered from the burden of the body, yet were far heavier than they had been before: there could one see crippled soldiers begging for death, and on the contrary others beseeching quarter and the sparing of their lives. In a word, 'twas naught but a miserable and pitiful sight.
The effect of gunpowder on the world (i.e. look out high level fighters):
But 'twas this cause made me so great a man, that nowadays the veriest horse-boy can shoot the greatest hero in the world; and had not gunpowder been invented I must have put my pride in my pocket.
On the glories of gold (and some supernatural associations with gemstones):
Yea, I could even take upon me to prove that this same money possesses all virtues and powers more than any precious stones; for it can drive away all melancholia like the diamond: it causeth love and inclination to study, like the emerald (for so comes it that commonly students have more money than poor folk's children): it taketh away fear and maketh man joyful and happy like unto the ruby: 'tis often an hindrance to sleep, like the garnet: on the other hand, it hath great power to produce repose of mind and so sleep, like the jacinth: it strengtheneth the heart and maketh a man jolly and companionable, lively and kind, like the sapphire and amethyst: it driveth away bad dreams, giveth joy, sharpeneth the understanding, and if one have a plaint against another it gaineth him the victory, like the sardius (and in especial if the judge's palm be first well oiled therewith): it quencheth unchaste desire, for by means of gold one can possess fair women: and in a word, 'tis not to be exprest what gold can do, as I have before set forth in my book intituled "Black and White," if any man know how rightly to use and employ this information.
Probably not the best name for a game (bolded text):
And though I did no deed evil enough to forfeit my life, yet was I so reckless that, save for sorcerers and sodomites, no worse man could be found.
On random encounters in the Black Forest:
... that I should not escape from the peasants of the Black Forest, which were then famous for the knocking of soldiers on the head.
A melee:
... when we did least expect it, came six musqueteers with a corporal to our hut with their pieces ready and their matches burning, who burst in the door and cried to us to surrender. But Oliver (that, like me, had ever his loaded piece lying by him and his sharp sword also, and then sat behind the table, and I by the stove behind the door) answered them with a couple of musquet-balls, wherewith he brought two to the ground, while I with a like shot slew one and wounded the fourth. Then Oliver whipped out his terrible sword (that could cut hairs asunder and might well be compared to Caliburn, the sword of King Arthur of England) and therewith he clove the fifth man from the shoulder to the belly, so that his bowels gushed out and he himself fell down beside them in gruesome fashion. And meanwhile I knocked the sixth man on the head with the butt-end of my piece, so that he fell lifeless: but Oliver got even such a blow from the seventh, and that with such force that his brains flew out, and I in turn dealt him that did that such a crack that he must needs join his comrades on the dead muster-roll. So when the one that I had shot at and wounded was ware of such cuffs and saw that I made for him with the butt of my piece also, he threw away his gun and began to run as if the devil was at his heels. Yet all this fight lasted no longer than one could say a paternoster, in which brief space seven brave soldiers did bite the dust.
A spell to force thieves to give back their stolen goods, worth 10 sp (or more or less, depending on your system):
And since 'tis as grievous to lose such things as 'tis hard to get them, therefore the said Switzer would move heaven and earth to come by them again, and did even send for the famous devil-driver of the Goatskin, which did so plague the thief by his charms that he must needs restore the stolen goods to their proper place: for which the wizard earned ten rix-dollars.
I hope this motivates you to give the book a read, especially if you're a WFRP player or game master. Well worth the time!
Thursday, April 13, 2017
Menace of the Mer-Mongrels [Mini-Dungeon]
Here's a quickie dungeon for you, featuring mer-mongrels (essentially aquatic orcs), just in case you need something dark, wet and dangerous for your game.
Overview
This is underground and near the sea. Sea water flows down the entrance corridor. Everything is slimy and the water is about 2 feet deep (so gnomes and halflings might need floaties) throughout.
There are clumps of phosphorescent sea weed here and there, giving a dim glow to the caverns - so dim as to be useless, but enough to create weird, wavering patterns on walls.
Mer-Mongrels
HD 1, AC 13, ATK Claws (1d4) or weapon (1d6) or barbed net (1d3 + entangled), MV 20' (Swim 40')
Room Descriptions
1. Corridor is broken here by a waterfall - water leaking in from the ceiling. Just on the other side of the waterfall there is an aquatic assassin vine attached to the ceiling. Just beneath the waterfall, to the extreme left of the corridor, is a pit that leads to the corridor just to the right of [1] on the map (the one that leads to area [14]). That corridor is completely submerged until area [14].
2. Two lacedons are chained to the walls here. The mer-mongrels have a winch in [11] that shortens the chains, but otherwise the lacedons can wander throughout the room.
3. Water swirls around the walls, ceiling and floor of this tunnel, creating a vortex of confusion. Save vs. confusion or become dizzy (-1 to hit, AC and save) for 1 hour.
4. Three mer-mongrel guards are in this room playing a gambling game that involves plunging half a coconut into the water and seeing which player gets splashed. Each has a shagreen pouch holding 1d10 gp. One mer-mongrel has a barbed net, the other two have tridents. All three have daggers.
5. A small natural chimney in this room leads to the surface. The air is fresher here.
6. This is a supply room, containing bits of flesh wrapped in seaweed and stuffed into cubby holes, floating bottles of wine, floating boxes of candles and an odd assortment of tridents and daggers (1d6 of each).
7. Two mer-mongrel acolytes dwell in this room. They have silvery bodies, and each can cast one 1st level anti-cleric spell (chosen by GM). They are armed with footman's maces with heads shaped like octopi with opal eyes (worth 35 gp each). A curtain of barbed chains blocks the passage to [9].
8. The high priest of the mer-mongrels (3 HD) dwells here. He can cast two 1st level anti-cleric spells and one 2nd level anti-cleric spell, and wields a mace like his acolytes (but with pearl eyes, worth 150 gp). The room is also occupied by three white fish who roam around randomly, but who can be commanded by the high priest to swim in a circle, creating either a magic scrying pool or a magic whirlpool (per a water elemental). A sunken iron chest holds 250 sp, 50 gp, a gold bracer (65 gp) and a potion of healing in an old rum bottle.
9. Mongo, the living clam god (a giant clam) dwells in this chamber, the temple of the mer-mongrels. The clam rests in the alcove in the far portion of the cave, and a coral altar has been set before the clam. A young man in rough shape is chained to the altar as a sacrifice. The altar juts about 1 foot above the water, and there are many candle stumps and a few burning candles on the altar. Right before the altar there is a submerged pit (save vs. falling - no damage from fall, but 5% chance of drowning do to an accidental inhalation of water).
10/11/13. Each of these chambers is inhabited by 1d6 mer-mongrel males armed with daggers and blowpipes from which they shoot poisoned sea urchin darts (save vs. poison or slowed for 3 rounds). Each chamber has a small stone chest containing 1d4 x 50 sp and 1d6 x 100 cp. One of the mer-mongrels has a small topaz (30 gp) hidden under his loin cloth.
12. Several sea urchins are kept in this alcove. The water here is envenomed by their presence (save vs. poison or 1d6 damage).
14. This spawning chamber is home to five female mer-mongrels. They are armed as the males, but also carry two nets. There are three young in the room, and they will fight to the death to defend them (and send them fleeing into [16] at the first sight of trouble. A stone chest here holds 200 gp and three bottles of fine wine. The chest is trapped with a sea urchin spine (save vs. poison or 1d6 damage).
15. I forgot to put this number on the map!
16. This is the lair of Yort, the chief of the mer-mongrels. He is a erudite man (he trained in the humanities at a sea elf university) who returned to his tribe when his father was slain by adventurers. Yort carries a +1 trident that can make the water boil in a straight line up to 20 feet long (1d10 fire damage, save for half damage) three times per day. He also has a silver dagger and a chest containing 500 gp, 1,200 sp, a small sapphire (200 gp) and a bottle of giant octopus ink. Yort will offer to pay adventurers off if they leave he and his people alone, but if a child is harmed will pursue them to the ends of the earth to exact bloody revenge.
Overview
This is underground and near the sea. Sea water flows down the entrance corridor. Everything is slimy and the water is about 2 feet deep (so gnomes and halflings might need floaties) throughout.
Mer-Mongrels
HD 1, AC 13, ATK Claws (1d4) or weapon (1d6) or barbed net (1d3 + entangled), MV 20' (Swim 40')
Room Descriptions
1. Corridor is broken here by a waterfall - water leaking in from the ceiling. Just on the other side of the waterfall there is an aquatic assassin vine attached to the ceiling. Just beneath the waterfall, to the extreme left of the corridor, is a pit that leads to the corridor just to the right of [1] on the map (the one that leads to area [14]). That corridor is completely submerged until area [14].
2. Two lacedons are chained to the walls here. The mer-mongrels have a winch in [11] that shortens the chains, but otherwise the lacedons can wander throughout the room.
3. Water swirls around the walls, ceiling and floor of this tunnel, creating a vortex of confusion. Save vs. confusion or become dizzy (-1 to hit, AC and save) for 1 hour.
4. Three mer-mongrel guards are in this room playing a gambling game that involves plunging half a coconut into the water and seeing which player gets splashed. Each has a shagreen pouch holding 1d10 gp. One mer-mongrel has a barbed net, the other two have tridents. All three have daggers.
5. A small natural chimney in this room leads to the surface. The air is fresher here.
6. This is a supply room, containing bits of flesh wrapped in seaweed and stuffed into cubby holes, floating bottles of wine, floating boxes of candles and an odd assortment of tridents and daggers (1d6 of each).
7. Two mer-mongrel acolytes dwell in this room. They have silvery bodies, and each can cast one 1st level anti-cleric spell (chosen by GM). They are armed with footman's maces with heads shaped like octopi with opal eyes (worth 35 gp each). A curtain of barbed chains blocks the passage to [9].
8. The high priest of the mer-mongrels (3 HD) dwells here. He can cast two 1st level anti-cleric spells and one 2nd level anti-cleric spell, and wields a mace like his acolytes (but with pearl eyes, worth 150 gp). The room is also occupied by three white fish who roam around randomly, but who can be commanded by the high priest to swim in a circle, creating either a magic scrying pool or a magic whirlpool (per a water elemental). A sunken iron chest holds 250 sp, 50 gp, a gold bracer (65 gp) and a potion of healing in an old rum bottle.
9. Mongo, the living clam god (a giant clam) dwells in this chamber, the temple of the mer-mongrels. The clam rests in the alcove in the far portion of the cave, and a coral altar has been set before the clam. A young man in rough shape is chained to the altar as a sacrifice. The altar juts about 1 foot above the water, and there are many candle stumps and a few burning candles on the altar. Right before the altar there is a submerged pit (save vs. falling - no damage from fall, but 5% chance of drowning do to an accidental inhalation of water).
10/11/13. Each of these chambers is inhabited by 1d6 mer-mongrel males armed with daggers and blowpipes from which they shoot poisoned sea urchin darts (save vs. poison or slowed for 3 rounds). Each chamber has a small stone chest containing 1d4 x 50 sp and 1d6 x 100 cp. One of the mer-mongrels has a small topaz (30 gp) hidden under his loin cloth.
12. Several sea urchins are kept in this alcove. The water here is envenomed by their presence (save vs. poison or 1d6 damage).
14. This spawning chamber is home to five female mer-mongrels. They are armed as the males, but also carry two nets. There are three young in the room, and they will fight to the death to defend them (and send them fleeing into [16] at the first sight of trouble. A stone chest here holds 200 gp and three bottles of fine wine. The chest is trapped with a sea urchin spine (save vs. poison or 1d6 damage).
15. I forgot to put this number on the map!
16. This is the lair of Yort, the chief of the mer-mongrels. He is a erudite man (he trained in the humanities at a sea elf university) who returned to his tribe when his father was slain by adventurers. Yort carries a +1 trident that can make the water boil in a straight line up to 20 feet long (1d10 fire damage, save for half damage) three times per day. He also has a silver dagger and a chest containing 500 gp, 1,200 sp, a small sapphire (200 gp) and a bottle of giant octopus ink. Yort will offer to pay adventurers off if they leave he and his people alone, but if a child is harmed will pursue them to the ends of the earth to exact bloody revenge.
Sunday, April 9, 2017
Dragon by Dragon - November 1981 (55)
This week, I'm going to take a look at Dragon #55, from November 1981. This one has a really good beginning - a cover by Erol Otus. The best thing about the cover - I have no idea what that monstrous thing is. This, to me, lies at the heart of old school games - the freedom to invent something new every game, or to add all sorts of fun details to things old and well-known without the need to invent new mechanics.
I think one of the downfalls of 3rd edition D&D was the attempt to standardize fantasy. Standardization may be important for "branding", but it's terrible for creativity. I think many corporations these days are cutting their own throats by pushing "branding" over creativity.
On to the review ...
First, a moment of righteous anger from the letters page:
"A lot of people seem to have a warped view of how to create a character. Some think you start off at 20th level with all the magic you can carry. Others have the strange notion that you get experience from taking damage. (A character in my world was nearly cut in half by a weapon hit and demanded he get experience for it: Why didn’t he just beat his head against a wall until he achieved godhood?)"
I enjoyed that bit - well said Greg Fox of Scotia, New York
Second, a note of the beginning of the end of Old School in Ed Greenwood's review of the Fiend Folio ...
"The beauty of the AD&D rule system is its careful attention to detail, “serious” (i.e., treating monsters as creatures in a fantasy world, not as constructs in a fantasy game) tone, and consistency. The FIEND FOLIO Tome mars this beauty. In its pages this DM finds too much lack of detail, too many shifts in tone, and too many breaches of consistency."
Here we see the cleaving of the playership - one side needing a "serious" imaginary world and the other just needing a fun place to play for a few hours. I'm in the latter group, and of course love the Fiend Folio. It's probably not a surprise that I don't much are for Mr. Greenwood's Forgotten Realms setting - though I mean no disrespect to Mr. Greenwood. He's a hell of a creator, and deserves great respect in the gaming world. It just sounds like we're looking for different things from our gaming.
I'll note one more line from the review:
"Perhaps it should have been a D&D® book, not one for the AD&D™ game."
Guess that's why I always liked the D&D rules better than the AD&D rules.
I will indulge my sense of humor for reviews one last time here, with this peach from a second review of the Fiend Folio.
"First, the names of the dragons are given in the wrong order. If you look in the Monster Manual under the entry indexed as “Dragon: White” you would see at the top of the description, “White Dragon (Draco Rigidus Frigidus).” The Latin name of the dragon is put in parentheses after the English name. But in the FIEND FOLIO under “Dragon, Oriental” a subtitle will read, “Li Lung (Earth Dragon),” with the Chinese name first and the English name in parentheses. Now, who is going to call this dragon “Li Lung” when “Earth Dragon” is much easier to remember? The names should have been given in reverse form (Oriental name last) for the sake of convenience, if nothing more."
The joy of writing for nerds. At least the reviewer was focusing on the big picture, and not nitpicking.
Now to the feature articles:
Dinosaurs: New Theories for Old Monsters by Lawrence Schick raises the problem we still face with these creatures that we don't face with fantasy monsters - we don't know enough. We know more now than we did then, of course, which means we could well be revising monster stats for these beasts forever. This is why I prefer using dinosaurs in my games as though they were fantasy monsters based on what you got in old movies ... with just a dash of what we now know (the potential for brilliant plummage, for example) to make them weird.
Gary Gygax has a nice article covering some of the peoples of Oerth. This was reprinted in the old Greyhawk boxed set, and I remember reading it there and thinking "Wow, I didn't realize you could make this kind of thing up." It was one of those "unknown unknowns" to me as a kid. I mean, the world is full of people, so I guess people in a D&D world will look like people in our own world, so you don't really need to describe them. I had a lot to learn about the joys of fantasy.
Katherine Kerr has a nice piece on Robin Hood (he has a price of 200 gp on his head, you know). She makes him a 12th level fighter, Chaotic Good, with some pretty high ability scores. This brings up a thought - that D&D is actually better at depicting cruel reality than heroic fantasy in some ways. After all, when we try to model heroes of fantasy literature in D&D, we have to make them very high level and usually give them very high ability scores. Much of the "evolution" of D&D over the years seems to have been an effort to make it more amenable to fantasy heroes than the original game. Sounds funny to say this, given the presence of "heroes" and "super-heroes" in OD&D.
Oh - I should add that Will Scarlet is an 8th level thief, Little John a 10th level fighter, Friar Tuck a 7th level cleric and the evil Sheriff (lawful evil, to be precise) a 6th level fighter.
"It has been recorded, in the lost scrolls of Caractos the Scribe, of which only fragments now exist, that... from the ice-world of Northumbria, many ages ago, there came a youth named Niall, son of Thorkon the Mighty, who was destined to roam the world as he knew it, and to whom was to be given the appellation, the Far-Traveler..."
So begins another tale of Niall by Gardner Fox.This is good, old-fashioned pulp barbarian stuff, so worth a read for old school sorts like myself.
Speaking of old school, this issue has a Basic D&D adventure called The Creature of Rhyl by Kevin Knuth (could this be him?).
The adventure scores one old school point with reversed names - King Namreh (Herman) and Prince Laechim (Michael). It involves treking into the wilderness to hunt a giant monster and rescue the prince from an evil magician.
My only quibble with this dungeon is the presence of some pretty decent magic items on the upper level without too much guarding it. This may be because there are a couple tough monsters lurking in the lower levels that have to be dealt with. There is a nice puzzle room here, and overall it seems like a good rescue mission sort of adventure.
Pat Reinken (perhaps this fellow?) has a nice article on the tactics of escaping danger, mostly covering magic items that help you get away from danger in one piece.
Jeff Brandt introduces the Surchur, which is quite a horrifying thing, humanoid with a mass of tentacles in place of a head. It's a mid-level monster that doesn't have many tricks up its sleeve, but which could still give a party lots of problems. Kind of a good Lovecraftian thug.
Ed Greenwood presents the dyll in this issue, essentially a swarm of flying leeches.
Speaking of monsters - the magazine reviews a cool miniature called the "gorillasaurus", which is actually a hybrid of gorilla and rhinoceros (so maybe gorillaceros would have been a better name). The image is terrible in the magazine, but I found a good shot at the AD&D 2nd Edition Holdout blog that tells a good story about using it in-game.
For comic fans, this issue has an early Snarfquest, a nice Wormy entry and a What's New?.
As always, I'll leave you with some Tramp and his wonderful little tree trolls ...
God bless - be kind to one another - and have some fun for crying out loud!
Friday, April 7, 2017
Dread Kisthenes
Well, it is time to get back into the swing of things here at NOD after an unfortunately and unavoidable absence. Though I haven't been as active online these last few weeks, I have been writing in what spare time I had, so I thought the easiest way to get back into blogging would be to share some of that material.
The Kisthenes hex crawl is proceeding apace - I can wrap up the basic writing in another 12 days - and then comes the editing and the writing of supplemental NOD articles. I need to commission art here really soon as well, but I think I can get the next NOD issue out by early May without too much trouble. This weekend I'm going to finally find time to get the paperbacks of the last issue of NOD and Barbarians & Basilisks up on Lulu, in case anyone has been waiting.
Without further ado ... a few tidbits from the (unedited) Kisthenes hex crawl, which is based loosely on Mesopotamia and features a mad conqueror attempting to bring Tiamat (not exactly the copyrighted version from you-know-who, but something bigger and more Lovecraftian) bodily into the material plane, and other city-states competing to bring their own super-beasts into the world to oppose him. So a little Mesopotamian kaiju action for the adventurers to either stop or run away from.
(Note - the outlined areas in the map are the bits I have left to do. I usually write one chunk per weeknight, or two on weekends.)
0104. Damisu the Damned | Stronghold
Damisu is a necromancer whose ill-repute extends well beyond the grasslands of Kisthenes and the sands of the Crimson Waste. A waxy-skinned wastrel, he speaks in a timid soprano, pausing here and there to apply an unguent made of tallow to his dry, cracked lips. He dresses in a silk loincloth which, thankfully, he hides beneath a robe of crow feathers. Upon his head is the skull of his former master, the Mistress Utena. Her remains went to making one of several patchwork women who now serve in his manse, a decrepit old sandstone structure in a low spot on the grasslands that is soggy from a natural spring and littered with bones. The hex is patrolled by a dozen grey gnolls (encounter on a roll of 1-3 on 1d6) armed with composite bows and falchions.
Damisu is a petty man, very competitive with other magic-users (sorcerers are beneath his contempt). He is an obsequious man when presented with a possible challenge, offering hospitality in his shady domicile. In the night, the patchwork women set upon the magic-using guest and drag them through the dungeon into what Damisu calls “his arena”.
In the arena, dozens of zombies gather around two stone pillars, each pillar being about 6′ in diameter and raised 10′ off the ground. Damisu stands atop one pillar, his foe on the other. Whoever falls to the zombies is torn apart (unless it is Damisu, for they are his zombies and thus under his control.
If presented with a halfling girl with rosy cheeks and ebon locks, Damisu’s heart will stir and his mind flash back to a time long ago and a love long ago departed. How he reacts to this stimulus is up to the TK.
0540. Hawk Men | Monster
A tribe of hawk men has taken up residence in an old Chimerian citadel, a basalt nightmare stretched around a narrow peak and overlooking three valleys thick with fungal monsters. The hawk men have been raiding the surrounding settlements and then selling their plunder in Galardis. Their prince, Voltaro, has in his possession the adamantine sword of a Chimerian brave. The brave, Ull, is on the trail, and may be seen climbing the mountain and being harassed by the hawk men by adventurers moving through the hex.
0803. Pit of Despair | Monster
This hex of grassland is always strangely calm, and yet those who enter the hex feel a vague unease. Animals will not willingly enter the hex, and so the hex has mostly been left alone.
Towards the center of the hex there is a 10′ wide pit ringed with ancient stone slick with slime. The pit looks endless, and perhaps it is. It is inhabited by a caller in darkness who is summoned by tapping some-thing metal on the stone that rings the pit.
When summoned, the monster erupts suddenly from the pit, attacking all it can reach. If presented with a holy symbol of Ishtar it recoils and then one of the faces within the monster comes to the fore, a priestess of Ishtar who fled here when Ishkabibel was taken.
The priestess, while in control, will say something to the effect of, “The Mother of Chaos is coming, fed on the milk of human suffering, and with her coming the gods will again walk the earth, bringing destruction in their wake! Stop her coming, or flee this world.”
1735. Zephos | Village
Zephos is a large village (pop. 320 urban, 2,560 rural) of farmers who want nothing more than to be left alone. About 5% of the population are halflings, who work as scouts and swineherds in the village, and who help their kin from the Golden Steppe make their way to Blackpoort and other points south. The village has two competing taverns, the Sneering Pony and the Hole-in-the-Wall.
The Sneering Pony is mostly frequented by humans, the farmers gathering in the large room to drink golden ale and mead and eat roast lamb while listening to a woman bard, Hannah, past her prime but with a fantastic voice – perfect for laments. They sit, drink, eat and cry. In the room above, the merchant and artisans gather to drink spiced wine and eat pungent stews while gambling or watching bare-knuckle boxing.
The Hole-in-the-Wall is a tiny bar for halflings that is literally accessed via a hole in the wall of the Sneering Pony. It is a cozy place with many chairs with thick cushions, root beer par excellence, food not to be beat and some of the finest storytellers in the region, who weave the legends of old with fragrant pipe smoke.
2231. Monastery of Valor | Stronghold
A monastery of monks dedicated to Ninurta, the god of heroes, occupies a high ridge in this hex. The ridge is surrounded by an acacia forest populated by numerous wild goats, which are held as sacred to the deity.
The monastery is a mud-brick fort consisting of a small citadel (wherein dwell the monks) and a court-yard for their training. Several small outbuildings permit monks solitude for their meditations.
The monastery enjoys occasional visits from the knights of Lyonesse. Many young knights journey to the monastery for training, especially in the areas of courage and fortitude.
The 20 lesser monks of Ninurta fight with forked weapons used for disarming and bludgeoning foes. They pray to a white crystal formation beneath the monastery that is reached by crawling through a narrow, twisting tunnel. The cavern of the crystal is filled with warm, salty water and the walls are encrusted with smaller crystals which the monks chip off and turn into charms worn around their neck as proof they have seen the crystal.
Ninurta’s monks go bare-chested and wrap white cloth around their legs and abdomens. They paint a grey triangle on their faces and are permitted a crystal charm and leather bracers, but no other costume. Their leader is Shursab, a tall, stately woman with an abrasive personality. Only perfection is good enough for Shursab. If she meets a “perfect specimen”, there is a percentage chance equal to his or her charisma score that she falls in love with them. Shursab’s badge of office is a pair of opals on her bracers.
2844. Bacchanalia | Monster
Cultists of Bacchus have a gathering place here in the woods around a bloodstained stone table. The table sits on a low hill, the base of which is overgrown with red wild roses, a narrow stair of white stones leading up to it from a mucky gully. On new moons, a procession of fey and elven women moves through the woods lighting their way with torches and drinking from silver goblets of mind-altering wine. They become drunker as they approach the stone table, two or three men they have charmed in tow, and when they reach the top of the hill, they are joined by a trio of maenads. Under their direction they lash the men to the table and ply them with wine until they are blitzed out of their minds, before finally plunging knives into them. Satyrs watch from the woods, and gather the bodies when they have left, giving them a proper burial in the woods.
3348. Count Down to Pudding | Monster
A strange tan globe hangs from the bough of an oak. The sphere is one of force, and holds a dun pudding. The leaves of the woodland floor hide a steel box that, when the center is stepped on, forms a cube, the roof enclosing the victims of the trap and the pudding. Immediately, the force bubble begins to dissipate from the top down – it will take 30 minutes before the pud-ding can escape.
In the floor of the steel box there is a key hole which, if picked (or unlocked with the key inside the pudding), grants entry into a quasi-dimensions where the gnome thief Braba hid his treasure. The opening of the floor reveals stairs leading down into a weird cavern lit by the walls, which glow in shades of red and yellow. It will take 10 minutes to get to the treasure cavern, and another 10 to get back (though you might want to roll 3d6 to determine how many minutes it takes to get there and back). Among the treasure items is a tuning fork of no value, but which can cause the cube to unfold, allowing people to escape unharmed if the dun pudding remains contained in its force bubble.
The Kisthenes hex crawl is proceeding apace - I can wrap up the basic writing in another 12 days - and then comes the editing and the writing of supplemental NOD articles. I need to commission art here really soon as well, but I think I can get the next NOD issue out by early May without too much trouble. This weekend I'm going to finally find time to get the paperbacks of the last issue of NOD and Barbarians & Basilisks up on Lulu, in case anyone has been waiting.
Without further ado ... a few tidbits from the (unedited) Kisthenes hex crawl, which is based loosely on Mesopotamia and features a mad conqueror attempting to bring Tiamat (not exactly the copyrighted version from you-know-who, but something bigger and more Lovecraftian) bodily into the material plane, and other city-states competing to bring their own super-beasts into the world to oppose him. So a little Mesopotamian kaiju action for the adventurers to either stop or run away from.
(Note - the outlined areas in the map are the bits I have left to do. I usually write one chunk per weeknight, or two on weekends.)
 |
| Kisthenes map, plus a bit of the Nomo hex crawl to the left and Motherlands hex crawl at the bottom |
0104. Damisu the Damned | Stronghold
Damisu is a necromancer whose ill-repute extends well beyond the grasslands of Kisthenes and the sands of the Crimson Waste. A waxy-skinned wastrel, he speaks in a timid soprano, pausing here and there to apply an unguent made of tallow to his dry, cracked lips. He dresses in a silk loincloth which, thankfully, he hides beneath a robe of crow feathers. Upon his head is the skull of his former master, the Mistress Utena. Her remains went to making one of several patchwork women who now serve in his manse, a decrepit old sandstone structure in a low spot on the grasslands that is soggy from a natural spring and littered with bones. The hex is patrolled by a dozen grey gnolls (encounter on a roll of 1-3 on 1d6) armed with composite bows and falchions.
Damisu is a petty man, very competitive with other magic-users (sorcerers are beneath his contempt). He is an obsequious man when presented with a possible challenge, offering hospitality in his shady domicile. In the night, the patchwork women set upon the magic-using guest and drag them through the dungeon into what Damisu calls “his arena”.
In the arena, dozens of zombies gather around two stone pillars, each pillar being about 6′ in diameter and raised 10′ off the ground. Damisu stands atop one pillar, his foe on the other. Whoever falls to the zombies is torn apart (unless it is Damisu, for they are his zombies and thus under his control.
If presented with a halfling girl with rosy cheeks and ebon locks, Damisu’s heart will stir and his mind flash back to a time long ago and a love long ago departed. How he reacts to this stimulus is up to the TK.
0540. Hawk Men | Monster
A tribe of hawk men has taken up residence in an old Chimerian citadel, a basalt nightmare stretched around a narrow peak and overlooking three valleys thick with fungal monsters. The hawk men have been raiding the surrounding settlements and then selling their plunder in Galardis. Their prince, Voltaro, has in his possession the adamantine sword of a Chimerian brave. The brave, Ull, is on the trail, and may be seen climbing the mountain and being harassed by the hawk men by adventurers moving through the hex.
0803. Pit of Despair | Monster
This hex of grassland is always strangely calm, and yet those who enter the hex feel a vague unease. Animals will not willingly enter the hex, and so the hex has mostly been left alone.
Towards the center of the hex there is a 10′ wide pit ringed with ancient stone slick with slime. The pit looks endless, and perhaps it is. It is inhabited by a caller in darkness who is summoned by tapping some-thing metal on the stone that rings the pit.
When summoned, the monster erupts suddenly from the pit, attacking all it can reach. If presented with a holy symbol of Ishtar it recoils and then one of the faces within the monster comes to the fore, a priestess of Ishtar who fled here when Ishkabibel was taken.
The priestess, while in control, will say something to the effect of, “The Mother of Chaos is coming, fed on the milk of human suffering, and with her coming the gods will again walk the earth, bringing destruction in their wake! Stop her coming, or flee this world.”
1735. Zephos | Village
Zephos is a large village (pop. 320 urban, 2,560 rural) of farmers who want nothing more than to be left alone. About 5% of the population are halflings, who work as scouts and swineherds in the village, and who help their kin from the Golden Steppe make their way to Blackpoort and other points south. The village has two competing taverns, the Sneering Pony and the Hole-in-the-Wall.
The Sneering Pony is mostly frequented by humans, the farmers gathering in the large room to drink golden ale and mead and eat roast lamb while listening to a woman bard, Hannah, past her prime but with a fantastic voice – perfect for laments. They sit, drink, eat and cry. In the room above, the merchant and artisans gather to drink spiced wine and eat pungent stews while gambling or watching bare-knuckle boxing.
The Hole-in-the-Wall is a tiny bar for halflings that is literally accessed via a hole in the wall of the Sneering Pony. It is a cozy place with many chairs with thick cushions, root beer par excellence, food not to be beat and some of the finest storytellers in the region, who weave the legends of old with fragrant pipe smoke.
2231. Monastery of Valor | Stronghold
A monastery of monks dedicated to Ninurta, the god of heroes, occupies a high ridge in this hex. The ridge is surrounded by an acacia forest populated by numerous wild goats, which are held as sacred to the deity.
The monastery is a mud-brick fort consisting of a small citadel (wherein dwell the monks) and a court-yard for their training. Several small outbuildings permit monks solitude for their meditations.
The monastery enjoys occasional visits from the knights of Lyonesse. Many young knights journey to the monastery for training, especially in the areas of courage and fortitude.
The 20 lesser monks of Ninurta fight with forked weapons used for disarming and bludgeoning foes. They pray to a white crystal formation beneath the monastery that is reached by crawling through a narrow, twisting tunnel. The cavern of the crystal is filled with warm, salty water and the walls are encrusted with smaller crystals which the monks chip off and turn into charms worn around their neck as proof they have seen the crystal.
Ninurta’s monks go bare-chested and wrap white cloth around their legs and abdomens. They paint a grey triangle on their faces and are permitted a crystal charm and leather bracers, but no other costume. Their leader is Shursab, a tall, stately woman with an abrasive personality. Only perfection is good enough for Shursab. If she meets a “perfect specimen”, there is a percentage chance equal to his or her charisma score that she falls in love with them. Shursab’s badge of office is a pair of opals on her bracers.
2844. Bacchanalia | Monster
Cultists of Bacchus have a gathering place here in the woods around a bloodstained stone table. The table sits on a low hill, the base of which is overgrown with red wild roses, a narrow stair of white stones leading up to it from a mucky gully. On new moons, a procession of fey and elven women moves through the woods lighting their way with torches and drinking from silver goblets of mind-altering wine. They become drunker as they approach the stone table, two or three men they have charmed in tow, and when they reach the top of the hill, they are joined by a trio of maenads. Under their direction they lash the men to the table and ply them with wine until they are blitzed out of their minds, before finally plunging knives into them. Satyrs watch from the woods, and gather the bodies when they have left, giving them a proper burial in the woods.
3348. Count Down to Pudding | Monster
A strange tan globe hangs from the bough of an oak. The sphere is one of force, and holds a dun pudding. The leaves of the woodland floor hide a steel box that, when the center is stepped on, forms a cube, the roof enclosing the victims of the trap and the pudding. Immediately, the force bubble begins to dissipate from the top down – it will take 30 minutes before the pud-ding can escape.
In the floor of the steel box there is a key hole which, if picked (or unlocked with the key inside the pudding), grants entry into a quasi-dimensions where the gnome thief Braba hid his treasure. The opening of the floor reveals stairs leading down into a weird cavern lit by the walls, which glow in shades of red and yellow. It will take 10 minutes to get to the treasure cavern, and another 10 to get back (though you might want to roll 3d6 to determine how many minutes it takes to get there and back). Among the treasure items is a tuning fork of no value, but which can cause the cube to unfold, allowing people to escape unharmed if the dun pudding remains contained in its force bubble.
Monday, February 27, 2017
Flights of Fancy
 |
| MAGIC! |
1. Magic-user rides a rainbow, with sparkles descending like a gentle rain on those below
2. Magic-user sprouts golden wings of energy
3. Magic-user sprouts bat wings and leaves a sulfurous smell as he passes by
4. Magic-user rides a small cloud
5. Magic-user sprouts two silver discs from the bottom of his feet and rides them through the sky
6. Bottom of the magic-user's body becomes a whirlwind (no extra effect from the wind) and he flies like a tornado through the sky
7. A bubble of magic energy surrounds the magic-user, who sits in the lotus position within
8. A giant hand descends from the sky and picks the magic-user up, depositing him where he wishes
9. Dozens of magical balloons on strings sprout from the magic-user's hand and lift him into the air
10. The magic-user becomes a flock of sparrows (she retains a general humanoid shape and keeps the same combat statistics as the magic-user if attacked)
That's ten possibilities - anyone care to deposit a few more in the comments?
Sunday, February 12, 2017
Dragon by Dragon - October 1981 (54)
What the hell am I talking about? The bourbon is doing its job. Let's get started on issue 54 of the venerable Dragon and see what inspiration we can pull from this issue. Yeah, this will be less review and more "what's cool that we can use today".
Cool Cover
How about those angry trees on the cover by Jack Crane. How about a high level druid illusion spell:
Maddening Wood
Level: Druid 7
Area of Effect: One 6-mile hex of woodland per druid level
Duration: One season
The druid enchants a woodland with terrible phantasms. When one approaches the woods proper, the trees loom over them and seem to animate, with grotesque faces and bony claws. Creatures with fewer than 3 HD must pass a saving throw vs. fear or be frightened away. Those who are not afraid initially may plunge into the woods, but things grow worse before they get better. With each step, a save is required for creatures one additional HD higher (i.e. one step in and creatures with 4 HD must save, the next requires creatures with 5 HD to save, and so on). If a creature becomes frightened, all creatures with fewer HD must save again. As one moves deeper into the woods, the wind whips up, the owls hoot, the foliage closes in and becomes more noisome ... until one has gone 10 paces in, when the illusory magic ceases and the woods become normal once again.
Eternal Complaint Dept.
"My “lack of realism” argument is very well supported in all of the AD&D entries. By taking a close look you will find an incredibly large amount of monsters in a relatively small area, which, in most cases, has not the means to support even a few of the creatures presented."
Ruins: Rotted and Risky - but Rewarding by Arn Ashleigh Parker (R.I.P.)
Here's the first article I dug in this issue, covering ruins - the much neglected cousin to dungeons in D&D. The article contains ideas on designing ruined cities (and thus non-ruined cities), and I love the asumptions made in the article. These are fantasy cities from the mind of Mr. Parker, and they're awesome. Here's a few thoughts I enjoyed:
1. Give the players a map showing the perimeter of the ruins, with credit going to the party thief. This saves time, and doesn't give too much away.
2. Go through the map and decide which buildings are monster lairs; don't determine what the building actually is until the players investigate.
3. The table of buildings that might be in a ruin (and thus also useful for randomly determining building use in a city)
4. Random bank vault contents! (also useful in modern games, I would think)
5. "The chance for a given thief to open the lock on a bank vault is computed by multiplying the height of the vault (in stories) by 20, and subtracting that number from the thief’s normal percentage chance to open a lock. Thus, a 17th level dwarven thief with a dextereity of 17, who would have an adjusted open-locks chance of 119% for normal locks, has only a 49% chance of cracking a third-story vault, and no chance to open a vault on the sixth story, because the adjustment for the vault’s height (6x20=120) is greater than 119."
This is what made AD&D great.
6. Private residences are 1d4 stories high. 10% are unusual and were owned by ...
7. How long does it take to find a particular building:
The Righteous Robbers of Liang Shan P'o by Joseph Ravitts
Cool article with NPC stats for some bad boys of the Water Margin. They include Kung Sun Sheng ("Dragon in the Clouds"), Tai Chung ("The Magic Messenger"), Chang Shun ("White Stripe in the Waves"), Li K'uei ("The Black Whirlwind") and Shih Hsiu ("The One Who Heeds Not His Life").
This is followed up by a Giants in the Earth covering E. R. Eddison's Four Lords of Demonland.
I Want One of These
Would also be a great game - Wizard Dragon Dwarf Assassin
Beware the Jabberwock by Mark Nuiver
This one presents stats for the Jabberwock, along with a stunning piece of art. The B&T stats are:
Jabberwock
Type: Monster
Size: Huge
Hit Dice: 10 to 12
Armor Class:
Attack: 2 claws (4d4), bite (3d12 + swallow) and tail (2d12)
Movement: 20 ft.
Save: 12
Intelligence: Average
Alignment: Chaotic (NE) or Neutral (N)
No. Appearing: 1
XP/CL:
SQ-Surprised (1 in 6), darkvision 90 feet, detect vorpal blade (1 mile range)
Notes: Jabberwocks mature as do dragons. They have a fearsome gaze (creatures less than 4+1 HD; frightens; frightened creatures must pass a second save or be paralyzed with fear for 2d4 rounds). Tail attacks anyone behind the creature, with a -2 penalty to attack.
Cavern Quest by Bill Fawcett
Worth mentioning this module for AD&D, which is also a sort of quiz with a system for scoring. It's strange, but probably worth checking out, especially if you want to prove you're better at AD&D than a friend ... or foe! Each room gives you a number of options, usually preparations and actions. Based on your choices, you score points and prove your superiority over other dungeoneers. Cavern Quest could be a fun thing to run on G+ using the polling function, but it is probably too long to make it work.
Cash and Carry for Cowboys by Glenn Rahman
If you need some price lists for an Old West game, this is worth checking out. I wish I'd seen it before writing GRIT & VIGOR.
Bottle of Undead by Bruce Sears
A magic item in the Bazaar of the Bizarre. It is basically an efreet bottle that spews [01-20] a ghost, [21-35] banshee, [36-55] 1d3 spectres, [56-70] 1d2 vampires or [71-00] 1d6 wraiths.
This Makes Me Happy ...
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