|This is the Frazetta painting that inspired the Klarkash Mountains (found HERE)|
Movement through the mountains is complicated. Many valleys are dead ends, and frequent landslides make dead ends of passes that were once passable. Whenever a mountain hex is entered, the Treasure Keeper should roll 1d4 to determine how many exits the hex currently has, and then roll 1d12 to determine how the hex can be exited. Assume that the characters can always leave the way they came, even if the roll on the table does not indicate that they can:
1 North – surface
2 North – subterranean
3 Northeast – surface
4 Northeast – subterranean
5 Southeast – surface
6 Southeast – subterranean
7 South – surface
8 South – subterranean
9 Southwest – surface
10 Southwest – subterranean
11 Northwest – surface
12 Northwest – subterranean
A subterranean exit must be discovered by searching (treat as searching the hex for a secret door, with one check per day). If the hex contains a subterranean encounter, the exit will always involve dealing with this encounter.
7321 IRON GOLEM | MONSTER
A key tunnel in this hex is being held up almost entirely by a stout iron golem. The iron golem is blocking the tunnel. If it moves (which it will if attacked) the tunnel collapses after 1d6 minutes. A total of 1d10x200 feet of the tunnel will collapse when the iron golem moves.
7326 DIRE STAIRS | WONDER
The remnants of a deep staircase can be found in this hex. After descending about 300 feet, one begins to detect warmth and sulfuric fumes. The stairs keep on descending until the reach the center of Nod, wherein Hell is located.
7333 FIRE LIZARDS | MONSTER
1d20 fire lizards are crawling over and through a series of basalt tunnels. The tunnels are hot to the touch, and the air is excessively dry and acrid. Crystal growths explode from the sides, ceiling and floors of the tunnels at random (1 in 6 chance per round, 1 in 6 chance of a growth hitting an adventurer for 1d6 points of normal damage + 1d6 points of fire damage, Reflex save to halve damage). The crystal growths glow a deep orange, and they are lousy with the raw energy of fire magic. A person holding a piece of this crystal can double the effects of the next three fire spells he or she casts.
7606 KATYA’S MAGNIFICENT TOWER | STRONGHOLD
The mountains here are composed of green stone, slightly glossy, with valleys filled with purple grasses and large mud flats fed by scalding mud geysers. The land is lovely and dangerous, and home to a large village of fierce yeomen clustered around the green tower of Katya the Magnificent, a magician who specializes in teleportation and other modes of magical transportation. Her tower is a sort of beacon on both the Astral and Ethereal Planes, and serves as an anchorage for the weird vessels that ply those dimensions, depositing interesting visitors and their strange cargoes in the little town.
The townspeople do some farming and herding, but most are engaged in the tourist and mercantile trades. The town has three grand inns and several taverns.
The green tower is about 300 feet tall, and composed of the same stone that dominates the landscape, with floral carvings around the windows and doors. The interior is crowded with visitors, servants and guards. The servants are swathed in layers of white silks, which hides the fact that they are animated skeletons. The guards are living iron statues made to look like gothic knights. Katya’s personal guard is composed of the succubus Hamzhara, bound to her service by Katya’s possession of her true name, and her three alu-demon daughters, Lividia, Xaspera, Inflamidine. Katya permits them some demonic fun to keep them docile, but otherwise keeps them on a short leash.
7721 MERWIN PETERS | MONSTER
The ghost of Merwin Peters, former trader, sits on a stump in this hex on moonless nights. The ghost is headless, and does little more than point to the west, perhaps indicating where his head has been carried away. The ghost has a set of keys on a chain around his neck – perhaps they would open a treasure chest if the ghost could tell adventurers where to look.